His work explores the transformation of the moving image through 3D capture technologies and emerging systems of visual production.

Working across film, animation, and installation, he employs tools such as NeRF, point clouds, photogrammetry, machine learning, and real-time simulation to investigate the unstable materiality of computational imagery.

His practice examines how images are reconstructed, fragmented, and reinterpreted through digital processes, exposing the errors, ambiguities, and representational limits embedded within contemporary image-making systems.